REDONE
RED WEAPON (Carbon)
Features: |
1.Proress444XQ @2K |
2.Proress422HQ @4K |
3.Manufactured with ultra-lightweight carbon fiber |
4.Support the use of anamorphic lenses |
Resolution : |
RAW - |
Max up to 6K |
MOV - |
Proress444XQ @2K |
Proress422HQ @4K |
Frame Rate : |
6K 100fps |
5K 120fps |
4K 150fps |
3K 200fps |
2K 300fps |
Formats : |
R3D(REDCODE) |
MOV(Apple Prores) |
Official Website:
http://www.red.com/products/weapon-dragon
PDF Download:
器材海報.pdf
REDONE
EPIC DRAGON
Features : | |
1. | 240 fps at 2K Full Frame (2048 x 1080), |
300 fps at 2K 2.4:1 (2048 x 864) | |
2. | HDRx |
3. | Lightweight |
4. | Upgrade EPIC camera to DRAGON |
5. | anamorphic lenses Supported |
Resolution : |
5568x3132(6K HD) |
4800x2700(5K HD) |
3840x2160(4K HD) |
1920x1080(2K HD) |
Frame Rate : |
6K 83fps |
5K 95fps |
4K 120fps |
2K 240fps |
Formats : |
R3D(REDCODE) |
Official Website:
http://www.red.com/products/epic-dragon
PDF DOWNLOAD:
器材海報.pdf
ALEXA 35
Features: |
1. Industry-Leading image quality at native 4K and 120 fps |
2. 17 stops of dynamic range with filmic highlight roll-off |
3. "High ISO" up to EI 6400 and Enhanced Sensitivity Mode |
4. Richer color rendition through REVEAL Color Science |
5. creative control via ARRI Textures and wide lens choice |
Frame Rate and Resoultion : |
ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps |
ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps |
ARRIRAW 4K 16:9 - 4K: 55 / 120 fps |
ARRIRAW 4K 2:1 - 4K: 65 / 120 fps |
ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps |
ARRIRAW 3K 1:1 - 3K: 55 / 100 fps |
Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps |
Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps |
Apple ProRes 4K 16:9 - 4K: 100 / 100 fps |
Apple ProRes 4K 16:9 - UHD: 120 / 120 fps |
Apple ProRes 4K 16:9 - 2K: 120 / 120 fp |
Apple ProRes 4K 16:9 - HD: 120 / 120 fps |
Apple ProRes 4K 2:1 - 4K: 120 / 120 fps |
Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps |
Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps |
Apple ProRes 3K 1:1 - 3K: 90 / 90 fps |
Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps |
Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps |
Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps |
(Compact Drive 1TB / 2TB) |
Format : |
ARRIRAW |
MOV (Apple Prores) |
Official Website:
https://www.arri.com/en/camera-systems/cameras/alexa-35
ALEXA XT
Features : | |
1. | The most frequently used ,ARRIRAW data |
can be recorded directly in XT | |
2. | ARRIRAW120fps@2880x1620 |
3. | Recording clips in ProRes or DNxHD format |
4. | 4:3 CMOS,Support the use of anamorphic |
lenses |
Resolution : |
ARRIRAW: |
2880x2160 (4:3 Full) |
2880x1620 (16:9) |
MOV: |
1920x1080 (16:9 HD) |
2048x1152 (16:9 2K) |
2048x1536 (4:3 2K) |
Frame Rate : |
120fps(16:9) |
Formats : |
ARRIRAW |
MOV(Apple Prores) |
ALEXA XT PLUS
Features : | |
1. | ARRIRAW 120fps@2880 x 1620 |
2. | Recording clips in ProRes or DNxHD format |
3. | 4:3 CMOS, Support the use of anamorphic |
lenses | |
4. | Support for ARRI and cmotion cvolution |
wireless lens control systems | |
5. | Optional accessory Wireless Compact Unit |
WCU-4 for wireless remote control | |
6. | 3414 x 2198 used for ARRIRAW Open Gate |
Frame Rate : |
120fps(16:9) |
Formats : |
ARRIRAW |
MOV(Apple Prores) |
Resolution : |
ARRIRAW: |
OPEN GATE 3414 x 2198 |
2880x2160 (4:3 Full) |
2880x1620 (16:9) |
MOV: |
1920x1080 (16:9 HD) |
2048x1152 (16:9 2K) |
2048x1536 (4:3 2K) |
ALEXA MINI
Features : | |
1. | UHD 4K MOV 60fps |
2. | 2K 200fps MOV |
3. | Built-in motorized FSND filters, |
(IRND 0.6, 1.2, 2.1) | |
4. | Wi-Fi remote control |
5. | Light enough to be comfortably held at |
arm's length in a hand rig |
Frame Rate : |
2K 200fps |
4K 60fps |
Formats : |
ARRIRAW |
MOV(Apple Prores) |
Resolution : |
ARRIRAW: |
2.8K 16:9 2880x1620 |
2.8K 4:3 2880x2160 |
MOV: |
HD 1920x1080 |
2K 16:9 2048x1152 |
2K 4:3 2048x1536 |
3.2K 3200x1800 |
4K UHD 3840x2160 |
Official website:
https://www.arri.com/en/camera-systems/cameras/alexa-mini
ARRI AMIRA
Features : | |
1. | Prores 4444 200fps@2048x1152 |
2. | Max frame rates up to 200fps |
3. | Features the same sensor and exceptional |
image quality as the ARRI ALEXA | |
4. | High quality audio recording |
5. | Built-in motorized FSND filters, |
(IRND 0.6, 1.2, 2.1) | |
6. | Applying 3D LUTs and Color transforms |
to Viewports | |
7. | UHD 4K MOV 60fps |
Resolution : |
2048x1152 |
Frame Rate : |
2K 200fps |
4K 60fps |
Formats : |
MOV(Apple Prores) |
Official Website:
https://www.arri.com/en/camera-systems/cameras/amira
PHANTOM FLEX 4K
Features : | |
1. | Supports up to 4K resolution at up to |
1,000 frames-per-second | |
2. | Lower image noise and a higher dynamic |
range than the Flex 2K | |
3. | Supporting dual-link 4K video and |
simultaneous live monitoring / playback | |
4. | Convenient and Intuitive Camera Controls |
Frame Rate : |
4K 1000fps |
2K 2000fps |
Resolution : |
4096 x 2160 |
2048 x 1080 |
Formats : |
CINE |
(PHANTOM RAW) |
Official Website:
http://www.phantomflexcamera.com/flex4k.html
PDF DOWNLOAD:
器材海報.pdf
Blackmagic
BMPCC 6K
BMPCC 6K Pro
Features : |
1.Super 35mm high resolution HDR sensor |
2.13 Stops of dynamic range |
3.Dual native ISO up to 25,600 |
Frame Rate & Resolution : |
6144 x 3456 (6K) : 23.98p/ 24p/ 29.97p/ 30p/ 50p |
6144 x 2560 (6K 2.4:1): 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
5744 x 3024 (5.7K 17:9) : 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
4096×2160 (4K DCI): 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
3840×2160 (UHD): 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
3728 x 3104 (3.7K 6:5 anamorphic) : 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
2868 x 1512 (2.8K 17:9) : 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
1920×1080 (FHD): 23.98p/ 24p/ 29.97p/ 30p/ 59.94p/ 60p |
Formats : |
BRAW(RAW) |
MOV |
SONY FS3
Features : |
1.Full-frame performance with high sensitivity and wide dynamic range |
2.High performance BIONZ XR image-processing engine |
3.Cinematic colour science with S-Cinetone™ |
Frame Rate & Resolution : |
XAVC HS: |
(XAVC HS 4K):3,840 x 2,160/119.88p、100p、59.94p、50p、23.98p |
XAVC S: |
(XAVC S 4K):3,840 x 2,160/119.88p、100p、59.94p、50p、29.97p、25p、23.98p |
(XAVC S-I HD):1,920 x 1,080/59.94p、50p、29.97p、25p、23.98p |
XAVC S-I: |
(XAVC S-I 4K):3,840 x 2,160/59.94p、50p、29.97p、25p、23.98p |
(XAVC S-I HD):1,920 x 1,080/59.94p、50p、29.97p、25p、23.98p |
Formats : |
MP4 |
Official Website:
https://store.sony.com.tw/product/ILME-FX3
SONY A7S3
Features : |
1.Full-frame performance with high sensitivity and wide dynamic range |
2.15-stop wide dynamic range |
3.Expanded ISO up to 409,600 |
Frame rat:e & Resolution : |
XAVC HS: |
(XAVC HS 4K):3,840 x 2,160/119.88p、100p、59.94p、50p、23.98p |
XAVC S: |
(XAVC S 4K):3,840 x 2,160/119.88p、100p、59.94p、50p、29.97p、25p、23.98p |
(XAVC S-I HD):1,920 x 1,080/59.94p、50p、29.97p、25p、23.98p |
XAVC S-I: |
(XAVC S-I 4K):3,840 x 2,160/59.94p、50p、29.97p、25p、23.98p |
(XAVC S-I HD):1,920 x 1,080/59.94p、50p、29.97p、25p、23.98p |
Formats : |
MP4 |
MOCO
Since 2001,we offer a award winning MILO long arm motion control rig and flair system.It’s a portable,precise tool to provide an accurate and repeatable camera movement,camera path even can easily export to and import form a 3D software data.With two optional extension arms,MILO gives you 20 meters travel distance maximum along the rail,12 meters from left to right,and 6 meters above ground level.
We also have:
- Motion control operation crew
- Optional long-arm kits
- Total 9 meters precision rail(n three poeces)
- Mitichell S35 camera with 4 Canon BNCR lens
- Exchangeable Mount and connector for Arri 435
- DPS video system for pre-composite on set
- An model mover can synchronize with MILO by flair
Moco Reel:
https://vimeo.com/8210236
QTAKE HDX4
QTAKE is an advanced software application designed and developed for video assist professionals. It is used to log, capture, playback, edit and process video output of any camera.
This powerful, but easy to learn system, integrates every aspect of modern video assist into the single solution. Extensive logging capabilities, rapid shot selection with tree-based visual browser, simple and intuitive non-linear editor, media import and export, realtime overlay with blending, keying and wipe… and much more.
QTAKE HDx4 can record and playback 4 cameras in full HD.